Tag: colour management

  • ​​Q+A: Toby Lunn on Innovation in Action

    ​​Q+A: Toby Lunn on Innovation in Action

    Toby, for those who weren’t there, what was the TRAPIS & More Showcase all about?

    The event brought together leaders from across print design, and manufacturing to explore where textile innovation is heading next. Mimaki’s showcase at Hybrid’s showroom in Crewe was about more than technology launches – it was a statement of intent. It showed how print technology, materials science and creative application are converging to redefine what’s possible in textiles.

    How did Premier Digital Textiles fit into the showcase?

    We are proud to collaborate closely with Hybrid Services and with Mimaki as a whole, supplying truly digitally prepared PrepRITE™ Fabrics that demonstrate the consistency, colour vibrancy and performance that modern digital print demands. It was a chance to show how fabric innovation underpins printer innovation. Every print result depends on the quality and stability of the substrate, and that’s where our expertise comes in.

    What stood out to you most from the event?

    The engagement in the new technologies and the quality of the product. You could really feel that the sector is moving beyond the ‘can digital compete?’ question. It’s now about how far digital can go and what kind of innovation will come next from the likes of Mimaki. From evolving pigment technologies to hybrid print systems designed for sustainability and speed, the showcase underlined how collaboration between OEMs, fabric suppliers and designers is driving real-world progress.

    Why is this partnership between Premier Digital Textiles and Mimaki/Hybrid significant?

    Because it demonstrates the power of joined-up innovation. Mimaki is at the forefront of print technology; we focus on optimised, sustainable fabric solutions. When you combine those strengths, you get print ecosystems that perform consistently, reduce waste, and accelerate production. It’s a partnership built around progress – not just promotion.

    How does sustainability fit into this conversation about innovation?

    Sustainability isn’t a feature anymore; it’s a baseline. The new generation of printers and fabrics are being designed with closed-loop thinking in mind, reduced water use, lower energy demand and recyclability. For us, it’s about helping printers and brands hit those targets without compromising colour, handle or performance. Furthermore you have the double benefit of the kind of innovation that creates solutions for all applications, whether that’s printers for a specific fibre type, or something more multi-faceted that covers a wide-range of options.

    What does this kind of collaboration mean for the future of UK digital textile printing?

    It shows that the UK can lead through partnership and precision. We’ve got the creative talent, the manufacturing capability and the appetite for sustainable innovation. Working with global OEMs like Mimaki and alongside key collaborators like Hybrid allows us to connect the component parts together and showcase what the UK textile industry can deliver on a world stage.

    Finally, how would you sum up your key takeaway from the October showcase?

    Innovation in textiles only matters if it reaches the customer – and that’s exactly what this event showed. From the lab to the production floor, collaboration is turning ideas into commercial reality. It’s exciting to see and Premier Digital Textiles will continue playing a leading role in making that happen.

  • Premier Digital Textiles launch prize at 40th edition of New Designers

    Premier Digital Textiles launch prize at 40th edition of New Designers

    A Premier Digital Textiles prize to celebrate emerging talent will be handed out at the 40th edition of New Designers. 

    The Vibrancy in Print Award celebrates creativity, innovation and the power of digital textile printing. 

    It will be given to the graduate who masterfully blends colour, pattern and digital techniques to create standout textile prints. 

    New Designers is an annual exhibition that brings together the best graduate design talent from across the UK. 

    During two weeks in July 2,500 talented graduates from a range of disciplines, including textiles, graphics and product design will showcase their work. 

    Elen Hughes, Sales and Marketing Coordinator, Premier Digital Textiles, said: “The winner of the Premier Digital Textiles Vibrancy in Print Award will receive an exciting £500 cash prize, along with £500 worth of our PrepRITE fabric and print time, enabling them to bring their designs to life.

    “As Europe’s leading supplier of fabric truly prepared for digital print we very much wanted to support New Designer’s 40th show. It’s a crucial platform to nurture and celebrate creativity, innovation and emerging talent within the design world. 

    “This initiative not only empowers the next generation of industry leaders and influencers but also plays a key role in the evolution of the industry. By championing fresh ideas and diverse perspectives, we can help the sector adapt and thrive in an ever-changing landscape, where new ways of thinking and creating continue to challenge traditional boundaries.”

    The winner of the Premier Digital Textiles Vibrancy in Print Award will receive ongoing mentoring support from the North West-based company’s industry experts and feature in an exclusive ‘New Designer Spotlight’ interview across its social media channels. 

    “Whether abstract, geometric, or inspired by nature, the winning designs should highlight the full potential of digital textile printing in a modern and dynamic way,” added Elen.

    “It’s important to mention also that the winner will have the opportunity to be showcased in OEM demo and experience centres worldwide, offering global exposure to leading brands, industry professionals, and innovators. Each display will credit the designer, ensuring well-deserved recognition for their work.”

    New Designers 2025 will be held at the Business Design Centre, London for two weeks from July 2. 

    JUDGES – The Premier Digital Textiles Vibrancy in Print Award – Week 1: July 2 – 5 

    Elen Hughes

    Grainne Brennan

    Toby Lunn

    Ashok Kallumpram (TBC)

  • Colour Management and Fabric Consistency

    Colour Management and Fabric Consistency

    Colour Management and Consistency of Textile Supply and Fabric Preparation is the key to successful Digital Textile Printing.

    The artwork source and its pre-press preparation is critical. Bridging the transfer of accurate colour, print mark appearance, and the technical components of colour yield from Cameras, to Image Scanners, variable Monitors, CAD / CAM, and infinite light sources, cannot be underestimated and requires both specialist software, and technical specification to ensure that the final printed fabric meets the clients expectations and standards.

    The visual colour viewed on the creator’s monitor will vary significantly between design studios, commercial artists and the final production source, who are often in different locations, many miles apart. Pre-press sampling and or screen calibration is mandatory.

    It can be a challenging technical process and without professional calibration colour management is impossible. Colour management software, utilised in design and pre-press, alongside fabric profiling gives excellent results and offers a seamless channel for successful production.

    To circumnavigate the variance in print supply and in order to provide universal colour reference, colour charts or chips are often used as a reference to define accurate colour prior to, and during digital textile printing.

    Pantone references are often quoted as an Industry Standard for Colour matching on Textiles, but not all Pantone chips are within the Colour Gamut of your chosen Digital Textile printer and their print technology.

    Variations in colour gamut, yield, and colour appearance occur due to a number of factors; the reflectivity of the fabric, the standard of whiteness, the type of ink set utilized, and the number of colours used (within the ink-jet machine) during printing can vary significantly.

    The only practical solution is to profile the machine print on the fabric to be used using X-rite/Barbieri or other similar type equipment and software. But even then, some Pantone chips may not be attainable. Therefore, precise Pantone colour matching on Textiles has to be understood in this context.

    The increased number of digital textile printing machines and available print sources has increased the variables of Colour Management. What works on one machine, does not always work on another. What works on one fabric does not always work on another.

    Choose your Digital print partner wisely, the best print systems are those that are developed for specific machines, using specific inks and specific fabric types. Dye Sublimation, Pigment, Reactive and Latex etc…will all yield specific benefits.

    Colour Management is a complex area that has to be dealt with at the practical as well as at the theoretical level.

    In this context the reliability and consistency of the fabric used now assumes critical importance.

    Different coating chemicals and different optical brightening agents can introduce colour variables that make reproducing the same colour on the same fabric a complicated and error prone enterprise.

    Therefore, it is vital that the printer is absolutely confident in their fabric source.

    A well organised and well controlled fabric sourcing operation is vital for the Digital Printer, where economies of scale, rigid batch controls and tight technical specifications ensure the best possible environment for the Digital Textile Printer and guaranteed colour consistency.